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feldman: (squee)
Apparently Ben & Jerry's makes a Liz Lemon flavor (lemon with swirls of blueberry and lavender), which I found out when the Kiddo spotted it in the freezer aisle and sang out (with jazz hands), "That's AWESOME!"

She's seven this week, we spent the whole day shopping for school, and she is far more awesome than Liz Lemon.  She's real for one thing, she's my daughter, and I really do think we have a shot at also being good friends if we can get over the hump of adolescence without major trauma.  I say this with such aplomb because we're in the golden age of mid to late childhood, where everything is daisies and buttercups in the valley between the ice-capped death peaks of infancy and puberty.

She's seven, and she loves Liz Lemon, Adele, and The Cardigans cover of Black Sabbath's Iron Man, is learning violin, has read "Charlotte's Web" and is going into second grade in a week.  Sometimes my heart just can't fit in my chest when I hug her.


feldman: (big sleep)
Okay, so I'm not familiar with the specific infamous fic this is based on, but as someone who'd been kicking around fandom since way into last century*, I simply adore not only idea of this, but also the execution**.  Some darling folk in Toronto have created a web series based on 
My Immortal by Tara Gilesbie.

I'm not recommending you read the fic, as I've totally skipped that part and it is not harshing my squee from this project at all***.  And there is so much squee, I feel like I'm going to sneeze sparkles and fart rainbows of joy:


I adore the cast, and the writing is both tight and remarkably fond of both the source material and the fanon context.  Simply superb.  And now I shall go be an adult and make dinner, and watch episode five once the child is in bed.  BEING AN ADULT IS SO FUCKING PREP!

*in the late 80's I got halfway through a parody of Wesley Crusher as the ultimate Mary Sue, working title "FrankenWesley", but ran out of steam when my OOC Picard started to make me sad.

**This is the future I've been waiting for ever since the tools for film narrative became exponentially cheaper and more accessible.  Seriously, these kids are doing amazing stuff on a shoestring, and you can tell they're thinking about the pacing, the comic timing, the shot composition, the costuming, the lighting, the makeup, the music...

***I burned out my ability to read truly terrible fic years ago during an epic WIP involving Dana Scully, forced pregnancy, and bestiality.  I kept reading, hoping she'd be rescued.  Yeah, rookie mistake.

(edited to fix link)
feldman: (get thee behind)
I'm not writing as much as I'd planned, but I also haven't run shrieking into the night.  Okay, so 7k words is not that much progress towards what feels like a novel, but it's the point where I usually stall and either start futzing with what I've written or stick it into a drawer.  I'm refraining from both, and trying instead to just keep going forward.

I don't know what's going on in this story, and this is a sign of progress compared to my usual forecast-the-plot-until-it-breaks tack.  I'm figuring out the people, and trying not to judge them as either too strange or too dull.  I'm actively releasing my death grip on hyper-reality, in favor of letting in some air space for oddity and whimsy and sex.

There's sex in this story, and so far I've never been able to face it head on, for two reasons.  I feel like I haven't earned the right to tell any kind of plot punchline without first telling the set-up; and I feel like it's pasted in for jollies.  As well as being mutually exclusive rationales, I've figured out they're both wrong.  It's obviously not just for jollies if I can't even look it in the eye ("Nine Lives of John Crichton" was for jollies, and that sprung from my forehead Zeus-style in a few days).  And if loving Arrested Development has taught me anything, it's that the whole set-up/punchline/call-back triad is not always linear or chronological, even if it ends up that way on the page the first time through.

There's immense value in seeing someone break a rule, especially when that rule is a self-imposed taboo one deduced from a restricted environment.

It's okay to have takes on things.  It's good when characters surprise you.  It's not essential to know everyone's story beforehand.  The Id will supply a deep meaning you didn't even know you were thinking about.  Once you've wrestled the squid onto the paper you can always go back and refine those writhing tentacles into calamari and delicate washes of ink.  But hunting the squid is not shameful, it's simply the first step in the process:

"I saw it misspelled, in mauve Krylon, on the side of a dumpster, and it haunted me." --William Gibson
feldman: (jerk)
~*~If there's one good thing about being sick, it's that it resets a baseline appreciation for digestion and thermal homeostasis. *sings* "Lowered Expectations..."

~*~Before parenthood, I couldn't bear the sound of vomiting without joining in.  Now my ability to handle everything right through the cleaning process is disturbing in comparison.  Here, let me hold back your hair; now you go rinse out your mouth and nose while I clean up this public bathroom stall using only toilet paper and my newly-forged iron constitution.

~*~My family is large and festooned with aunts and cousins on my dad's side, so going to family gatherings is sometimes like looking into an AU house of mirrors set ten to twenty years into the future (my grandma's adorableness was clearly dominant down a couple generations).  Body composition-wise, we also tend to be built fucking solid at any weight (my grandfather did decathlon in high school--that's ten events he rocked at all of five foot two).

~*~In getting the store ready there has been a ton of ladder work, painting, cleaning and wrestling large chunks of wood.  First my hips and ass were wrecked; then I had a spate of sore shoulders and knees; then my hands hurt for almost a week.  Over the last month hefting fifty pounds is no longer the limit of my strength but more like "hey, this is no longer light."

~*~I'm slowly letting go of my death grip on hyper-realism in my writing.  I grew up swimming in the Great Lakes, and once you wade out to a point about armpit height, an errant wave can lift your feet up and deposit you just further enough out that the bottom is gone when you hit the valley of the wave.  The bottom is GONE, people, and I'm trying to breathe through the chest panic as lakeweed tangles my calves and I'm desperate for the reassurance of silty sand squidging between my toes.
feldman: (pieta)
So I may have promised the spouse that I'd stop bitching and write a novel in 90 days.  Thirty days ago.  It seemed like a good idea, and honestly it's time to shit or get off the pot on this whole writing deal.  I'm happier when I do it, so I need to figure out how to make that happen consistently.

So far I've done a revamp on almost 100 pages of a fic that should top out at about 150.  This is kind of cheating, as it's both editing and using material that was co-written with Thassalia.  I still want to finish this, and it's now in a shape to come back to without crying in despair about verb tenses.  We've got the ending roughly sketched, emotional beats and resolution, and it really caps what we wanted to do with that whole series.  It's back-burnered, but this is a step up from where it had been, rotting in the WIP fridge.

Next up is what I've been mentally calling Bullfinch's Suburban Mythology.  For over a decade, though it's been morphing that whole time and only sits still long enough for the Dastardly Editor in my brain to say, "This start will not be a workable plot--this sucks--this makes no sense--you should do X instead of Z--you know shit about magical realism, you can't even suspend your own disbelief--" etc, etc.

Stephen King has often compared writing a novel to an archaeological dig, his job being to unearth the story that already exists as a whole before it's written.  This is a comforting thought.  For a long time, writing has felt more like trying to extract a big hairy sliver of rotten wood that breaks apart and sidles deeper into the layers of skin no matter how carefully I proceed.  The issue at hand is overzealous 'quality control, it's silencing the part of my brain that spectates, because honestly, I've never been the kind of writer who knows the plot until it's almost over with anyway, so the Dastardly Editor is ALWAYS LYING.

I used to be able to do this.  I could unhook the Dastard and let the Confabulator natter onto the page until enough Shit Happened that I could follow it around and down until I had a puzzle I could solve.  It was dreaming while awake, there was a knack to it, and I hadn't even understood the knack was gone.

Which brings me to the last few weeks, where I've been wrestling with the check my mouth wrote that my Confabulator needs to cash by Labor Day.  The knack is coming back.  Here's the deal: it really is a lot like dozing while awake. 

It comes down to severely paring down distractions; writing at night, using a simple text editor.  For the Pavlovian touch that takes me back to being twelve and banging away on the family Smith Corona, the Q10 text editor has a full screen with no tabs or menu bars, and typewriter sounds.  OMG, the first time I opened that program I wrote 950 words in two hours, just following the Confabulator like a bee through a field of violets and clover.

I may not have a fully wired novel in a sunlit museum atrium by September, but I'm beginning to believe I will have enough plaster-jacketed specimens of Shit Happening that I can assemble into one.
feldman: (smile)
The infant previously known as CMonkey will be seven in August, and having outgrown the name, I have yet to think of a suitable replacement nom de guerre.  For now, let's just use Kiddo.  Like Beatrix Kiddo at the end of Kill Bill, I am constantly, charmingly, devastatingly put on my back foot with this person who is my daughter.  How did she happen?  Unlike Beatrix, I was there the whole time, and I still have no idea how this miracle on two legs occurred.

cut for parental anecdata )


feldman: (monster)
Is it megalomaniacal to follow back people who've left kudos on my AO3 fic to raid their bookmarks for things I might like?  Or can I pass it off as simply a manifestation of the reason I started writing at age ten--I'd run out of good shit I hadn't read too many times before?

Listening to various podcasts, I began to think I could hear a moustache in a man's voice.  I was right about Peter Onuf of Backstory, but wrong about Stewart Brand.  Still can't help but hear a big ole snowy walrus brush every time Brand talks.

Sir, despite your shaven lip your voice has a magnificent moustache!

Tracking my cycle with attention to detail I've noticed a couple strange things.  First, I was wrong all that time I thought my cycle didn't affect my migraines, just because I didn't get them any more during my period than any other time.  Turns out the maypole dance of hormones around ovulation is a rather strong trigger.  About 1/3 of the time, it feels like my brain that lays an egg.

Second, I almost always dream about powerful water in the second half of my cycle.  Houses flooding; hurricanes coming in from the sea; waves lapping over causeways;  frogmen storming over a seaside cafe wall as the tide comes in.

I really loved the frogmen dream, solid grizzled guys in their snorkels and gear, like a squad of Sam Axes crashing the party.

I'm signing up for a bellydance class tomorrow.

feldman: (squee)
I wouldn't say I'm a spoilerphobe, so much, I'm just often better off not knowing a plot development beforehand.

Either I trust the storyteller (the crew behind Farscape) and they'll do their best to deliver the goods on even the weirdest plot point (ploint?), or I don't (Chris Carter, this hot plate of stink-eye is for you).  Either the ride is more delightful for the shock, or the rubbernecking is more interesting if the vehicles in the pileup are a surprise.

Some shows, I'm in a rollercoaster car and I'm not invested in the world it's passing through--I've always been spoiler-neutral for Doctor Who.

When the trust is a grey area and I'm invested in the characters or the world, that's when I seek spoilers.  I need to know man!  I need to protect my heart!  Will they be gentle?  How should I brace myself?  Am I better off staring out the window at the squirrels and writing my own fic?

Spoilers for IM3, STID and the first eps of AD )
feldman: (pieta)
While I know the answer is to write, to simply keep priming the pump until things start to flow again, there's a deep reticence to get started.

Once I start it's like riding a bike--in that it constantly feels like when I first learned to ride a bike, precariously balanced, lurching between too fast and not fast enough, and the only thing keeping me from a wide swath of gravel ground into my skin is sheer dumb fucking luck.

So I aim for a patch of grass and ditch it.  And then I don't write for a couple weeks.

Which would be okay, as a life, if I didn't have this upwelling of pressure, these images and thoughts and all the jenk and churning seafoam that I know comes out as stories when the pipes are flowing.  When they aren't thunking and juddering and spitting, full of air and rusty backflow.

I need Burgess Meredith to come kick my ass and make me drink the goddamned raw eggs already.





feldman: (monster)
I'll tell you exactly why the future of entrepreneurship is the home-based outsourced tech-heavy service business: you don't have to re-zone your couch.

So far, our first site was scooped by a major car company after we spent hundreds to get the zoning variance in City A (mere days before we were to sign the lease).  We scrapped the second site in City B when the re-zoning was estimated at nearly a grand, at least six weeks, and a 50% chance of success at best.  We're not putting an incinerator next to a playground, here.  We're putting a gathering, retail and recreation business that peaks in the evening and weekends into a tech/light industrial office park setting.  

So we're back to looking in City A, which is honestly a better map and market location anyway.  It's just a pisser to still be mired in site selection when we've been funded for weeks and been on the verge of one lease or another for twice that long.

***

Both the rents are in the hospital--mom had a stricture in her gut which they removed and replumbed around, while dad had a double bypass.  Different hospitals, of course.  Mom should come home next week, dad should follow the week after.  Mom's hanging in there, slow and steady healing, and dad's doing his usual miracle-recovery after major surgery.  Luckily, Mr. F had mainly healed from his wisdom tooth removal before this all hit, so it's been busy and crazy and worrisome, but handle-able.

My jaw clenching had aggravated my own lower wisdom tooth, which Mr. F insisted I have looked at.  It's not really 'misery loves company', he's been insisting for years every time it grumbles, but this time he won and I went.   Then I won, because that mastodon tusk occupying the keystone in the arch of my mandible is going nowhere.  I can deal with the occasional tension-headache in my jaw.

***

In other news:

~*~I'm mucking around with Codecademy to get a basic grounding in code aside from my sprinkling of html.  If I want the kiddo to start learning this stuff soon, then so should I.

~*~Kiddo is currently practicing the violin, which I always feel I should preface with "It was her idea!  Honestly, we're not pushing her into it!  Even though we're delighted by her interest!"  There are certain assumptions I've been getting as a mother of a six-year-old toting a 1/8 size violin, and I'm getting defensive, and much of the time I cannot simply blame Felicia Day, even though she's 75% responsible.

~*~I'm baby crazy.  I realize this is setting myself up for heartbreak at age 41, but my health and cycles are good, and there's a family history to support this as still being theoretically possible.

~*~I'm not gardening this year.  I'm putting this down in writing right now, so I don't start feeling like I should.  I'm just going to do some low-key composting right on the beds to set things up for next year.

~*~So switching my fic reading from phone-browser  to kindle has decreased the amount of fic I read, but greatly increased the quality and my enjoyment.  Also, I now have a built-in system to do feedback in batches, making me a better community member.  I love living in the future sometimes.
feldman: (smile)
I used to have a job where I did mind-numbing clerking and occasionally had projects where I could write or create an organizing scheme or work with images--tiny sparks of life in a Lovecraftian sky of nihilistic dread.  Flashes of REM aboard the sleeper ship.  Then I jumped that ship and we've been swimming for the shore for a few years, rebuilding our life in a different direction.

I've been in a holding pattern for a while now, with a couple part-time gigs to keep me in the habit of putting on pants.  My main function has been as the stay-at-home parent and the main designee for medical emergencies, with my parents both going through a rough patch health-wise.  I think it's what surviving the zombie apocalypse would truly be like: harrowing instances of firing fast and running, separated by long stretches of musing that this is what you went to college for.

Now the business plan has reached a point where I come in, and now it's time for me to step up and start performing.  I have an embarrassment of riches in my lap: writing copy, processing photos, creating a plan-o-gram, drafting employee policies, codifying operations policies, setting up the back-office accounting, creating a product and service database, designing business cards, handling the website...

I haven't worked for an organization I believe in or care about for almost twenty years.  It's like finding a favorite old t-shirt that fits even better than when I lost it.

Tea Lord

Apr. 28th, 2013 11:16 pm
feldman: (hitchcock style)
 I woke up this morning consumed with a desire to make a teapot in the shape of the Tardis--the inside of it, not the outside.

The curved walls, organic hexagons and tree-bough struts would be worked in delicate yi-xing clay.  Three short walkway ramps would become a tripod of legs.  Gallifreyan pictographs would be incised around the lid.  The control console would be a modified cylinder of fine brass mesh to hold the tea leaves, with a plunger that was worked through the lid to press them down.

One would have to supply one's own wheezing sounds.

***

I'm quite excited about new Arrested Development, and in celebration anticipation I've found this article on some of the little asides and jokes one might have missed in the series (the comments section is equally-illuminating).  The new eps could totally suck, but that won't diminish my love!  Hell, if the Strangers with Candy movie couldn't spoil my enjoyment of that series, I can weather almost any storm.

After all, it's no good having an eidetic memory if you can't also selectively purge it to preserve sanity.

***

I got a Kindle for my birthday.  I love it so much I made a cover for it.  It is a somewhat lopsided affair, but it is protective yet soft, and has a little magnet at the corner to shut off the screen when the cover is closed.

***

I can now swim 30 laps (25 yards per lap), which is more than I've ever done at one time before.  Doing just the first few workouts of Couch25K did amazing things for my stamina before going back to the pool, the difference was astounding.  Now I just need to get back into the swing of weights again.

The kiddo is reaching fifty pounds at age 6.5, and so far I've never been unable to pick her up and carry her to bed--though it got close after this truly sedentary winter.  I know eventually I won't be able to do so, but I'd rather that happen when she is an incredulous teen.  Or maybe never.  I'd love to be able to swing her up into my arms, a full-grown woman likely taller than me, and feel the accumulated years of space and weight and becoming she'll have gathered since she fit in the crook of my one arm.
feldman: (get thee behind)
So we're opening a business.  Which was scary enough when it was an impressive business plan and investment paperwork.  Now we have funding to actually open, and so we're looking at buildings and choosing POS software and OMFG we're going to be shopkeeps.

The US has many gaping chasms of cognitive dissonance about class, and I've stumbled into one: my spouse was raised to be management, and to also be an owner.  There is nothing in his upbringing or psyche that stands in his way, beyond the universal trepidation of going through the pre-flight checklist before taking off.

In contrast, there is something in the back of my brain, lodged there when I was small, that keeps screeching "Am I allowed to do this?"

Allowed by whom?  I don't know.  Allowed by the teacher, the boss, the guy in charge, The Man, The Suit?

Here's where the idea of bootstrapping and entrepreneurship as a magic cure for social ills falls apart; here's why first and second-generation Americans outperform the descendants of earlier immigrants: blue-collar America doesn't raise owners, it raises henchfolk.

Yes, I made up the word henchfolk.  People with strong backs and little say, people who take exponentially more pride in their work than is objectively healthy, because they're where the rubber meets the road and that's often their sole source of control and pride in the workplace (and it kills them, and it burns them out, and it only raises the bar for everyone else so the squeeze gets worse).  People who punch a clock and effectively lose some of their civil rights for the duration of their shift, and so that's what work looks like to them, that's what business is, an extension of public school where they scramble for seats in class and have to pull at least a C or they starve on the street.

Hell, public school was designed to train a manufacturing workforce, and since it worked so well in producing labor cogs we've only needed to tweak the average white-collar service industry job to fit the cog.

I've had desk jobs where'd I'd've killed for a union-mandated piss break.  Where I was working a mouse through Excel like my grandmother worked a drill press and couldn't talk to the person next to me because that would be gossip and bad for morale.  Where if I made the mistake of actually caring about the clients' issues all it did was highlight the internal problems I didn't have the authority to fix, only the responsibility to endure.

I found that a college education and a white-collar resume did not make me an owner or in any way likely to ever be in charge--and looking back, at no point did I ever question the rightness of this assessment.  Work was a seat on a bus.  You don't vote on where the bus is going, and you don't get to drive and you certainly don't own the bus.

This is how you get someone who is smart, not afraid to work hard, understands sales, accounting, customers, vendors, distributors, clients, and process management, yet who still thinks, in the lizard back of her brain, that negotiating a lease on commercial property is a mystery one needs to be initiated into.  At best, I've had a window seat on the bus.  Now we're buying one and get to drive it wherever we want.  This is a major shift in perspective, and one I'm beginning to suspect my background has actively socialized me against.

And yes, I realize that a business owner works for their clients and patrons--this is not the newsflash that some suits believe it is for the rank and file, who are, after all, often hired expressly to deal with customers so that more important employees don't have to.  As I said, I've often had the window seat and could see many lovely avenues the bus could go down, but didn't.  I know it's the customers who pay for the diesel.  But my work history illustrates a struggle between the stated aims of the business and the policies that hinder that aim...and while I have confidence that we will do a better job of being responsive to our clientele, that this is a bedrock of what we're doing with our venture, there's a part of me simply agog to find myself here.

Here, as an owner.  Here, with a vested interest equal to any and all emotional investment I'm capable of putting in.  Here, with no corporate bullshit or isolated management layers between the goods & services and the patron.  Here, with a small handful of (nonhench)folk and all the books open to me and I can understand every decision--and when I throw my strong back into it I'll actually get somewhere.

It's a damned shame for our culture that for a kid who grew up working poor and pushed her way through college, down deep this feels like I'm breaking a taboo.
feldman: (smile)
I've reached the point of writing where I'm still not sure where I'm going, but when I sit down to write the stuff is there.  Also, I've started making a mixtape for it, something which I resisted for some damn fool reason for the longest time.  Like I was thinking that it was cheating or something to amplify the emotional atmosphere.

Also, I've started running.  If you count the early phase of the CouchTo5K program as running, which I totally do.

Spring is a lovely thing.


feldman: (big sleep)
I've been writing these days.

I blame FBF, who is apparently one of two people on Earth who can use cheap psychological tricks on me that I can totally see through and that still work anyway.  So yeah, now I just need some brainpan voodoo on the fitness front and I'll have shaken the rest of this winter hibernation.

It's been a winter of circling around the mental drain and using all my will not to drop headfirst into the compelling funnel of water.  There is no truth down there.  Yes, yes, you feel old and fat and reclusive and like you haven't ever accomplished anything and none of those conclusions are real because it's the dark winter after a really stressful couple of years.  You made it to goal.  It's okay to curl up in your pajamas and shiver for a while.  I'm not good at relaxing though.  The best I often accomplish is a kind of self-loathing paralysis on the verge of action.  I can't even write about relaxing without using a verb like 'accomplish'.

In other news, I've been going through Terry Pratchett novels like individually-wrapped slices of of crack.  I'd been skirting around his work because so many folks had recommended him, and I thought either I'd hate it and then have to figure out why* or I'd love it and wind up gibbering in the gutter with Pratchett tracks up and down my damn arms [pushes sleeves down over wrists].

*I hate spending time analyzing art I don't enjoy, it's like trying to figure out exactly what someone's halitosis smells like.  Literature classes have always felt like water torture when you're thirsty.

Also, I'm crocheting Daleks in size 10 thread.  As my first actual crochet project.  Because February apparently skews your sense of what is or isn't an insane project to tackle.  But they're nearly done and turning out far more adorable than I'd dared to hope.  Unless they're hideously malformed badminton birdies.  I dunno, I've been looking at them so close up I can't tell--pretty much the same issue I've been having with my writing, except it doesn't stop my hands with the hook the same way it does with the keys.

feldman: (farnsworth)
I'm used to being underemployed, in the sense that it's a familiar status quo, so the string of joblets I've been doing since January are business as usual for the most part: short-term, part-time, odd hours, and with one awesome exception stuff I could do in my sleep. But there's been a definite change in how work comes to me, compared to before.

BEFORE, I'd apply and obsess and worry and possibly interview and desperately want and need and finally FINALLY land something I didn't want to screw up because after months of looking I was beaten and more than ready to surrender to whatever terms came my way.

NOW, I answer a Craigslist ad on a whim and make a Blue Oyster Cult joke in my cover letter, or a friend floats my name to his boss, or someone I did a temp gig with ages ago calls me up, or I do a admin-for-hire gig a few hours a month and they court me (court ME) to get me on the payroll full-time because my skills are "exceptional...scratch that, *beyond* exceptional".

There is a huge scary power that comes from the freedom of not having to give a shit. Scary, because I viscerally remember the cold dead panic of BEFORE, even as I find myself sitting down at a desk which is apparently now mine.

Yes, find myself. Because it's vaguely dissociative, like I just walked in off the street to set up a voicemail.

It's like that episode of Star Trek where the spray-painted polyfoam triffids shoot pollen into everyone's chest and make them lazy-happy, but Kirk and Spock beam concentrated annoyance down to the planet, and when McCoy snaps out of it he hauls off and punches some colonist in the face AND DOESN'T SPILL A DROP OF HIS MINT JULEP. Yes. I'm that fucking awesome.

And I'm even starting to sometimes believe it.
feldman: (hitchcock style)
~*~ I've realized that over the years my dad has gone from looking like a 'moustachioed Alex Trebek' to 'if Stan Lee were part Italian'.

~*~Just because you successfully do a move three times on the jungle-gym does not mean that the fourth time won't fuck you. Luckily, my wrist is bruised and not (six x-rays confirm) broken.

~*~I am disappointed that the take-home cd of my x-rays comes up blank. I was interested to see if there is any bony deformation after fifteen years of wearing a rather solid chunk of wedding ring. Plus, two of the radiological poses were mudras fbf taught me.

~*~The two-fold downside of going through gallons of penicillin as a child is 1) this sinus infection sore throat thing is giving me a wicked craving for a flavor I never enjoyed and am now 2) allergic to. Though if it gets bad enough, there are apparently cocktail enthusiasts who can assist me with a faux version. I dunno. It may be pink and possibly frothy if you shake it hard enough, but does it really capture the strawberry/banana/earwax bouquet?

~*~If I don't have a featured song or three in my head, there's a fall back list of standards that pop up. One of these is Captain & Tenille's "Love Will Keep Us Together". And yes, sometimes I have three songs stuck in my head at once. It's like a retro diner with table jukeboxes in there.
feldman: (squee)
I'm rewatching Star Trek TOS, the original comfort tv, on Netflix. I haven't seen it for a few decades, but it holds up much better than I feared, like a fine aged cheddar.

*No commercials means that an episode isn't cut to pieces to fit them. There are scenes I don't remember ever seeing in syndication. And I'm pretty sure it wasn't because I was peeling potatoes for dinner during those scenes as a child--they were on repeat at 5 and 6 weekdays for years, so I'd've caught them in rotation eventually.

*It's also refreshing to watch them without my dad constantly adjusting the color, contrast and white balance of the tv while mom gave snarky feedback. Dad, being red/green colorblind, saw the primary color uniforms as his best chance to finally get the picture perfect. Mom, being a watercolorist, could not get him to understand that trying to get a ruddy William Shatner and an olive Leonard Nimoy to match was a fool's errand.

*Sadly, the inherent feminist issues of being produced in the sixties are not as horrible as some of the blatantly oblivious to truly malicious shit I've waded through since then. Sure there are minidress uniforms with matching spanky pants--but it's somehow innocent compared to the headless bikini asses used as establishing shots on Burn Notice, and playful compared to the vicious misogynist streak in something like Family Guy.

*I think I needed a distance of a few decades and a reboot recast to really appreciate Kirk/Spock. See, I was raised in fandom, to the point where I went to fan cons with my mom and grandma, and mom did illustrations for hardcopy zines (mom tended toward Chekov and portraiture in her work, but was quite varied in her reading taste). I had to get to a place where K/S didn't automatically bring to mind xeroxed illoes of seventies-hairy dudes tenderly embracing.

*Imagine, if you will, a nine year old feldman trying to get through a hotel banquet room doorway where two buzzed adults are flirting, both cosplaying, one with a nipple slippage that is painfully obvious from wee feldman's perspective. I don't have a point, I just needed to finally tell someone. I did eventually get through the doorway, and now know that the squiggly tension in my chest was only nervous laughter.

*My fic name feldman comes from here. I still have a copy of it and the sequel, and the fact that Mindy Glazer palpably shifted several gears in her writing between the two somehow laid bare to my wee self that learning to write is a process, a craft, and something I could do too. So here's the thing, for every nine year old me in 1981, there are tens of thousands of kids peeking into the guts of the art-machine now that fandom is online.

More art! More sexytimes! More myths! More nipples! More hysterical laughter!
feldman: (get thee behind)
Kiddo: (sneezes)
Me: Bless you!
Kiddo: Thank you! (continues to self) And thank you, Kiddo, for not sneezing on your toast.


Kiddo: Today we had fifteen minutes of recess and then gym--I do not know what they were thinking.


Kiddo, referring to a small water feature by someone's porch: It sounds like peeing. That is not comforting.

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